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Old 10-26-2009, 01:47 PM   #136
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I agree wholeheartedly with this post. Just wanted to give you some props before you get flamed.
woah. Atease at Interference?

not gonna flame Ultraviolet353. it's not like he's right and i'm wrong or vice versa. it's all a matter of opinion. i think NLOTH is amazing, he doesn't.



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Old 10-26-2009, 01:48 PM   #137
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I agree wholeheartedly with this post. Just wanted to give you some props before you get flamed.
Yes the flaming can begin now.



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Old 10-26-2009, 01:56 PM   #138
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I find Boots to be a Vertigo re-write. You could sing the chorus to Vertigo over the Boots chorus and it would fit.


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Old 10-26-2009, 02:17 PM   #139
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BVS, as usual, your post is laced with a heavy dose of undeserved elitism and arrogance. But don't worry, I'm here to straighten you out:
And I guess your thinking was to answer any perceived arrogance with real arrogance tenfold?

I'm not sure what personal issue you have with me, I've been kind enough to answer any misconception you had of me through PM, you apologized, yet you still stir this shit every time I respond to something you say.


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My perceptions are coming from reading the ads about the album in the weeks before it came out, buying it on the day of its release, and then talking about it (and U2) to dozens of people my age in classes, on campus, and in a city where they're hugely popular. I maintain that if Zooropa had come out in Nov. 1991 instead of Achtung Baby, it would have been perceived as a major disappointment, but because it was (a) released in the midst of ZooTV, and (b) released at the peak of alternative rock in North America, it was welcomed and given an easier acceptance than, say, Pop.
Well this is a little different than what you stated before. Yes if Zooropa was released before AB it wouldn't have had made sense, BUT to the general public there was not a whole lot insight into this being a quick album done admist a tour, this was just the follow up to AB and for the most part marketed as such.


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By whose accounts? I cannot really understand your English here, sorry. U2 were anything but "coming off a hugely successful time in their lives" in 1997. At best, they had had a long layoff, and at worst, they were actually considered kind of washed up... which they were, sort of.
Washed up? How do you figure? Their previous tour was considered groundbreaking, the previous two albums were huge critical successes, they owned the early 90's along side grunge and hip hop. So by all accounts Pop should have done well just by riding on those coattails. I don't know how you could say they were washed up!

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I see. It's not U2's fault that they're not as popular, it's society's!
You deny that media markets have an effect? Really?


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Old 10-26-2009, 02:18 PM   #140
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I find Boots to be a Vertigo re-write. You could sing the chorus to Vertigo over the Boots chorus and it would fit.
Um... no.


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Old 10-26-2009, 02:21 PM   #141
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U2 is good. no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not!



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Old 10-26-2009, 02:28 PM   #142
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I agree it is all a matter of opinion--after all Pop is their best record, IMO.

However, I think to say the album is too complex is laughable. If anything (and even many who love this album claim) it is the poppy stuff that ruins the album, and that is 27% of the record. Of the songs that I like on the album NLOTH, BB, MOS, COL there just seems to be something missing--I find myslef wnating something to happen in these songs, and it doesn't. Especially on MOS.

one last thing about Magnificent--when I first heard this song, I thought it was an instant classic. But...again after some time, it just comes off as "thin." Almost like cotton candy, it now melts on impact--lacks any crescendo as it starts at 10 and ends at 10. It starts with such a rush, it has nowhere to go. It is also a very poppy song, IMO, which bumps the record up to 36% pop. Complex!?!?!?! I think not.


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Old 10-26-2009, 02:33 PM   #143
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Bono sure has come a long way from the "we may lose some of the pop kids but we don't need them!" comment from the glorious zoo-tv days...


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Old 10-26-2009, 02:35 PM   #144
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However, I think to say the album is too complex is laughable.
not as complex as their 90's material but certianly more complex than their last two albums.


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Old 10-26-2009, 02:38 PM   #145
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If anything (and even many who love this album claim) it is the poppy stuff that ruins the album, and that is 27% of the record.
It is also a very poppy song, IMO, which bumps the record up to 36% pop. Complex!?!?!?! I think not.
You see? That's complex.

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I find myslef wnating something to happen in these songs, and it doesn't. Especially on MOS.
How can you want anymore out of MOS? It's worthy. It's the one song that could have easily been given an obvious crescendo, but's it's just implied making it a beautifully complex creature.

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Bono sure has come a long way from the "we may lose some of the pop kids but we don't need them!" comment from the glorious zoo-tv days...
I love how this quote gets so misused these days.


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Old 10-26-2009, 02:40 PM   #146
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U2 needs to realize that RELEVANCE is their currency. Not sales, not radio.

If they attempt to woo sales and radio as they did with Boots/Crazy/SUC they will cease being relevant, IMO. Just last night, the reference to "new songs" made me cringe. There is a tacit lack of confidence that has been sown by the lackluster reaction to the album and the songs in a live setting.

What has always set U2 apart is people come to see the new songs--they demand it. It seems less full throated this time around. Again, because I feel the songs aren't there. Even NLOTH, a song I like, doesn't sound all that great live--When I first heard that song I thought it was SURE to be the opener, and now I know why it isn't. It lacks something live.


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Old 10-26-2009, 02:40 PM   #147
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U2 is good. no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not! yes they are! no they're not!

But how do you really feel about U2, Mikal?


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Old 10-26-2009, 02:42 PM   #148
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U2 needs to realize that RELEVANCE is their currency. Not sales, not radio.


generally, in popular music, relevant music is what is selling and played on the radio.


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Old 10-26-2009, 02:45 PM   #149
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Bono sure has come a long way from the "we may lose some of the pop kids but we don't need them!" comment from the glorious zoo-tv days...
yeah, but that was 17 years ago. i sure hope i don't act like i do now in 17 years.


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Old 10-26-2009, 02:52 PM   #150
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yeah, but that was 17 years ago. i sure hope i don't act like i do now in 17 years.


also, that quote is probably right up there with "don't mean to bug 'ya" and "maybe, maybe too much talk" in the Top 10 Reasons Why People Hate Bono.


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